How to find and savor solitude

How to find and savor solitude

I’m the kind of person who thrives on solitude. Not all the time (that, I fear, would make me lonely). But sometimes.

I recently had a few days to myself, and I hadn’t even realized how much I needed them because of all the activity that comes from releasing a new book plus having kids home for the summer plus the regular speed of life.

Solitude revitalizes me. I use it to read, write, run, just stare into space. 

Our modern lives are full of activity and people—not necessarily in-person people but online—and all of that can feel overwhelming. Sometimes I have to take time away from it all.

Summertime is challenging, because there are people everywhere. I don’t live in a big house, and now most of my kids are bigger than I am and take up more space. It’s practically impossible to find stillness and quiet, much less solitude.

But it’s necessary—for all of us.

Solitude can be uncomfortable for some people, especially at first. Without all the voices of other people, we can hear our thoughts really well. And that can be…unpleasant, depending on the day.

I recently watched a documentary on anxiety. In an anxious mind, like mine, there’s always chatter. It takes a lot of time to find quiet, and it rarely happens without solitude.

In solitude, the mind fills with a hundred things. It’s unsettling. At first. And then you reach the silence. A deep, inner silence (even if it’s not complete silence—it’s not for me). A place of knowing and understanding and clarity. 

Gabriel García Márquez, a Columbian novelist and short story writer, once said, “The secret of a good old age is simply an honorable pact with solitude.” (He lived until he was 87 years old.)

I tend to agree.

Solitude, according to research, can reduce our feelings of stress and make us feel calmer. In solitude we can increase our self-knowledge and figure out our problems and think deeply about what’s going on in our lives and how to be a better human.

(A note here: Solitude is not synonymous with lonely. The reason I can be okay with and long for my solitude is because I have my people. So don’t cut yourself off from people just to find solitude; we need each other!)

Solitude increases our creativity, because it gives us space to breathe and think. It fosters a greater sense of intimacy and connection with others, contrary to what we may think about relationships (the old adage “absence makes the heart grow fonder” turns out to be true). 

How much solitude is best for us?

That depends on the person. We all have to figure it out for ourselves. I spent a few days alone, and I felt completely renewed.

What should you do with your solitude? That’s completely up to you, too. Some of us can feel a little itchy with fifteen minutes all by ourselves and no one needing anything from us (myself included). So I’ve collected some of my favorite things to do with solitude (scroll down to the end of this email for the list).

In order to practice solitude, however long or short it may be, we have to prioritize it. The activity of a day eats away the hours. It’s gone before we know it—at least that’s how my life goes.

We might find we can better deal with the challenges our days often throw at us if we can just spend a little time by ourselves.

I hope you have a splendid month of finding moments of solitude.

What to do with solitude: 

1. Read a book or write in a journal

2. Sit and stare into space (if it makes you cringe, set a timer so your brain knows it will end)

3. Just listen to your thoughts as they pass

4. Meditate

5. Do some candlelight yoga

6. Go to the library and browse books

7. Run or hike

8. Color

9. Play dress up for yourself

10. Cross a room doing forward flips like you used to do as a kid (just don’t pull any muscles)

Writing about YOU: How to find YOUR stories

Writing about YOU: How to find YOUR stories

Some writers stay far away from personal experience when crafting stories.

Me? I like to toe the line. Most of my stories contain very specific pieces of my life. My first traditionally published book, The Colors of the Rain, included grandparents and an uncle and a real-life family tragedy. My second book, The Woods, was not my personal experience, but I drew upon real-life historical events—the Texas City Disaster. The First Magnificent Summer includes my experience starting my first period one thousand miles away from home while visiting my dad and stepmom after my parents divorced. And my most recent book, Something Maybe Magnificent, is a very close retelling of my stepdad’s and my story.

In Donald Maass’s book, The Emotional Craft of Fiction (which is one of the best craft books I’ve read, by the way), he says, “Writers have amazing personal stories. Sometimes they’re downright astonishing. What’s puzzling to me is that people with such rich experience to draw upon too often write stories far less dramatic than their own.’

Why is this?

I think sometimes we’re afraid to write our stories. We’re afraid to use the situations that caused us such turmoil and angst and all kinds of big emotions. But we felt those big emotions. And when we write about those big emotions, our readers will also feel them. That’s something worth considering.

What I’ve discovered as a writer of semi-autobiographical fiction is that often, sorting through those situations in my past—the ones that hurt me or the ones that threw me sideways or the big disappointments and setbacks—help me actually process through them in a healthy way. Write them into a better story, maybe. One of the most powerful things we can do in our lives is turning our experiences into a story—whether or not we share that story with the world. Psychology research shows that shaping our experiences into stories helps us process and heal from them.

Most of us have rich experiences that would make fascinating stories. Many times we think, No one else would be interested in this. But that’s just seeing through our foggy lenses. It may not be interesting to us, because we lived it. But it will definitely be interesting to others who haven’t lived it. Or others who have lived it; they’re grateful to know they’re not alone.

Of course we might not want to share every personal story we’ve lived. But some of them might be worth exploring, don’t you think?

Here are my best tips for doing that:

1. Make a list of all the significant events you can remember in your life so far.

I’m thinking high school trips where you fell in love (hello, Disney World band trip), the first week of college when you were trying to find your bearings. First love, first kiss, a marriage or engagement. Kids. Deaths. Divorce. That family tree project in third grade where you didn’t know anything about your family and could only trace back a couple of generations. The time your grandmother told you she liked you better when you ate. 

(These are just my stories. I know they’re probably not yours. I’m just trying to get your brain working.)

Think about all those experiences that made an impact on you one way or another. They don’t have to be bad. They can be joyful, too. Though the disappointing and heartache-y situations make for better fiction. 🙂

2. Consider the question, If I had to write a story about my childhood, what would it be?

Or another: If I had to write a story about my young adulthood, what would it be. And: If I had to write a story about my life now, what would it be?

Sometimes just asking ourselves the question can unlock inspiration to draw upon for stories or writing pieces. For example, I had a string of months right after my oldest turned 13 when we couldn’t seem to have a conversation without an argument. He took everything I said the wrong way. I wrote a poem called, “I Am a Villain in His Story.” Because that’s very much how I felt. That led me to begin work on an adult novel about a mother exploring her relationships with her children and the myriad ways she lets herself down. It may or may not go anywhere. But it’s real-life inspiration.

3. Look back at old things.

After graduating high school, I spent my summer making scrapbooks of all four years of my high school education. These things are a treasure trove of what teenage Rachel felt was important to highlight in her life. Have I used them for some young adult story inspiration? Absolutely.

Journals, diary entries, old writings, yearbooks. Receipts, old emails, letters. Get your hands on anything that will tell you a little bit about your past life. Something more than your memory can tell you.

If you’ve been a diarist or journal keeper, these, too, can be spectacular treasures. When I was thinking back to my first love story (which I shared in the last email, if you want to read a teeny bit about it), journals were helpful for showing me just how melodramatic those first-love feelings can be. When you’re young and in love and that love is suddenly taken away, it’s devastating. It feels like life won’t go on (contrary to what Celine Dion sang the year of my first heartbreak). Like you will never feel that way about someone again. Like the world can’t possibly have another Bubba Loewe in it. (Yes, I dated a guy named Bubba, and I was completely smitten. I don’t even recall his real name.)

You never know what kind of inspiration you’ll find when you look back. So take out those old journals and start paging through your “important mementoes” drawer. Real-life stories can make lovely fiction.

When we write from real life, we don’t have to imagine emotions, because we lived them. We remember them. Or we’re still living them. And that makes a difference to readers. Because we remember the way books make us feel.

I hope you have a fantastic month of writing your stories—for yourself or for others.

Rom-coms, documentaries, and sister stories

Rom-coms, documentaries, and sister stories

Here are five or so things worth sharing this month:

1. Reading (A): I just finished Emily Henry’s latest rom com, Funny Story, and thoroughly enjoyed it. Henry has a way with characters and romantic tension and is one of the master’s (in my opinion) in her genre. I also really enjoyed her Book Lovers and Beach Read.

2. Reading (MG): When I heard Dan Gemeinhart had a followup book to his The Remarkable Journey of Coyote Sunrise, I knew I had to read it. And Coyote Lost and Found was splendid. We get the same quirky characters (with a few added in) on a different roadtrip quest.

3. Watching: A couple weekends ago I watched the Max documentary The Fastest Woman on Earth, about professional racer and TV personality Jessi Coombs and oh my goodness was it fantastic. It’s a fascinating story about Coombs’s quest to break the land speed record and how speed racing is still a field of men. It includes information about one of the first women racers and daredevils, Kitty O’Neil, who was a deaf woman who paved the way for people like Coombs to participate in racing events. I think I might be falling down a hole of research because I’m so fascinated by all this. Summer research project?

4. Reading (A): Well, it’s been a while since I’ve read a book where I got so invested in the characters I didn’t want the story to end—but that was the case with Hello Beautiful, by Ann Napolitano. What a magnificent story. It follows four sisters through decades and has the feel of Little Women, which I believe was kind of the goal. It was voted one of the best books of 2023, and I definitely see why. This is the first of Napolitano’s books I’ve read, but I’ll be looking to add more to my TBR!

5. Reading (MG): Varsha Bajaj’s book Thirst, was a lovely read about Minni, who lives in Mumbai, in one of the poorest sections where water is rationed and is only available during certain times of the day. And yet someone—a richer someone—is stealing the water, and Minni and friends have to uncover it. I found the tale sweet and sad and important, especially for young readers who often take for granted their access to water (like my sons). Highly recommended!

6. Reading (A): Have I mentioned that I am a sucker for based-on-true-life stories? Ariel Lawhon’s The Frozen River was one of my favorite recent reads. It tells the story of Martha Ballard, a real midwife in the 1780s. It was fascinating and thrilling and completely compelling—and, of course, had feminist overtones, since Martha was a fierce and independent woman when that wasn’t exactly “allowed.” I loved everything about this book. And now I might have to do a deep dive into Ariel Lawhon’s books, because that’s how I roll. 🙂 When you read it, make sure you also read the author’s note. It’s as fascinating as the book!

Don’t be defeated by outside evaluations

Don’t be defeated by outside evaluations

I’d just recorded a video about how not everyone will like our books and we can’t possibly please everyone—and I got a trade review that rubbed all my insecure places.

The reviewer clearly didn’t “get” the book and missed the whole point of it. She focused on strange pieces and made her assessment with what felt like only half the picture.

It threw me into a tailspin.

Have you ever noticed that when you think you’ve mastered some way of being human—when you think maybe you’ve wrestled with it enough to make some statement about it or even teach someone about it, the universe endeavors to prove you haven’t quite learned what you needed to learn? (My children show me this frequently.)

I’d just recorded a video about this. It’s like the universe said, “Okay. Challenge accepted.”

It took me a few days to get over this review. I kept hearing the reviewer’s words in my head when I sat down to write. Even though I knew they weren’t true. Even though I know that what other people think is not my business.

And then I read these words of Rose Marie Toussaint’s: “When we are rejected in the world we will recover only as we begin to realize that we must hold on to who we are and not be defeated by outside evaluations.”

You may not know who Rose Marie Toussaint is. She’s a physician who was the chief surgeon for the liver transplant center at Howard University Hospital. She was born in Haiti and came to the U.S. with her family when she was a teenager. She was a woman, born in 1956, who loved math and science and medicine at a time when women weren’t supposed to love math and science and medicine.

How much opposition and rejection do you imagine she faced as a Black woman in medicine during the 1970s and 1980s?

She meant those words she said, and she lived them.

Reading her words reminded me that I’ve been here before. I know who I am.

Sometimes we forget our song. We let those negative winds push us around and tell us a story that’s not true. We let them say, You don’t deserve happiness, this dream was too big, you are not good enough or worthy enough for any of it.

I get caught in that headspace sometimes. Many of us do.

The glib words of others can bring us low. They can make us forget our song, shake up the core of who we are. Holding on to who we are is not always easy.

But we must. We must hold on to who we are with aching, cramping fingers when we are rejected by the world.

We have multiple opportunities for those outside evaluations to come crashing in. I feel them in my mothering, my partnering, my writing, my publishing, my volunteering or not volunteering…on and on it goes.

The question is, will we hold on to who we are? Or will we be shaken by outside opinions and evaluations?

I hope we always stand strong.

Have a marvelous month of defeating those outside opinions. I’ll be fighting them right alongside you.

Here are some of my tricks for remembering who I am:

1. Take some time.

It’s okay to feel what you feel. These are words I’ve told my children over and over again. Our feelings are valid.

But.

But we don’t want to stay in the negative feelings for too long.

Sometimes outside opinions and evaluations hurt. Wherever and whomever they come from. They all have the same kind of sting.

It can be helpful to take some time away and reconnect with who you know you are. Let those outside evaluations run their course, and hold tight to what you know is true: You are magnificent just the way you are.

2. Lean on people.

The people who love you can remind you who you are and that you’re magnificent. Don’t push them away. Open up and talk. Let them love you.

My freshman year of high school, I was completely in love with my boyfriend, who was a junior—and absolutely gorgeous. We dated for about three months before he broke up with me. I was devastated with a capital D. I thought I would never make it through that breakup.

A good friend of mine made me a mix CD full of empowering songs that reminded me who I was and that I didn’t need a stupid boy who clearly didn’t know what he had when he had it. I listened to that tape over and over and over. She was my people. She reminded me I was amazing. (Also: there’s a young adult story in this. I’m working on putting it down on paper!)

3. Evaluate

I’m a big fan of evaluating. Everything can benefit from evaluations.

Ask questions like, Why does this bother me so much? The truth? It probably speaks to a pesky insecurity. Which means this is a growth opportunity.

And remember—the pain of this evaluation/disappointment/anger-inducing circumstance won’t last forever.

Onward!

Love what you do and know that it matters

Love what you do and know that it matters

Have I mentioned I love what I do?

This is a frequent joke between my husband and me—because I mention it at least two times a week.

I really, really love what I do.

When people ask me if there’s a part of my writing process that I don’t like, I usually have a hard time coming up with one. Because every part of it is enjoyable—the exciting origin of an idea, its development into a possible story, the drafting of that story and all its messiness, the revisions that feel like puzzles.

Copy editing may be my least favorite part, I think. And yet still enjoyable in its own way—especially because it represents an almost-finished book!

Not a day goes by that I don’t feel incredibly grateful that I get to do this.

The writing life is full of uncertainty—and uncertainty is not my favorite. (Okay, I found my least favorite part of the process…also—reviews). I could go whole years without selling another book to a publisher, without seeing one of my books out in the world. The uncertainty can feel nearly impossible to carry sometimes.

And yet every time my agent and I go out on submission with a new manuscript, I feel such hope and possibility. Because I know that what I do matters. It matters to me, and it also matters to the readers of my books. It matters to children and adolescents and young adults and older adults—everyone who picks up one of my novels or poetry or essay books. 

We may not ever know just how much our work matters. We till the soil, plant the seeds. We don’t always get to see the blooms or how colorful the flowers are.

Recently I visited my youngest son’s elementary school, where I talked and taught about poetry. A mom I didn’t know found me on social media and sent me a personal message. She told me that her son, a third grader like my son, had not stopped writing poetry since my visit. She said, “I don’t know what you said to those kids, but he is writing like I’ve never seen.” She sent me pictures of his poetry, which he stapled together like a book. It was precious.

Every now and then, we do get confirmation that what we do matters. Those days are the best—but also few and far between. So we have to keep reminding ourselves that our work matters. Sometimes we’re the only ones holding on to the truth that it does.

When we feel like something doesn’t matter, it’s really challenging to keep doing it. To stay motivated. I see this in my teenagers, who are all done with school (we have one more week. They’re so done.). They think school doesn’t matter to their future. I remember thinking that about certain classes when I was in high school. I had to make myself care about AP physics; I knew I wouldn’t need it in my future. But I did need it to graduate at the top of my class and get a scholarship, which was the only way I knew I’d get a chance to go to college.

So much of the impact we make is invisible. Sometimes it’s hard to remember our work matters. That we matter. So how do hold fast to that conviction?

Here are some of my favorite ways to remember I’m making a difference in the world:

1. Keep a folder of all the kind notes you’ve gotten.

As a writer, I know not many get in touch to tell you how much your writing meant to them. I can work and work and work and never feel like I’m doing anything worthwhile. Half the time I feel completely invisible anyway. No one knows my work. No one’s read a thing I’ve written. (Of course that’s not true. It’s just the negative voice inside our heads talking.)

But people have gotten in touch over the years. I keep their notes in folders on my computer and in my email. I keep actual physical folders, where I print out the kind and thoughtful notes I’ve received. They remind me when I forget that my work is making an impact I can’t always see.

Do the same for yourself. Keep those things in a visible, easily-accessible place. And revisit them often.

2. Adopt your own mantra: What I do matters.

Put your mantra in a prominent place—on your cork board or use a post-it note to stick it to your computer, or write it on your mirror so every time you look at yourself you say the mantra, too. Repeat it over and over and over in your head until that’s the voice you hear when things get rough.

Sometimes the most powerful thing we can do is hold on to our own belief and conviction that our work matters, that it’s doing something good in the world. Because if we don’t believe, who will?

3. Check in with your motivations.

Of course we want to be known, maybe even a little bit famous—but we do our work for better reasons than that. Some of those for me: helping kids and teens known they’re perfect just the way they are. To bear witness to difficult stories in mine and others’ lives. To help readers see a way through hardship and feel seen. To heal the broken places in myself and in the world.

Go back to those motivations. When you look at the reasons you do things, you can’t help but know that your actions matter.

Now. Some of us may not actually love what we do. I worked a job for more than a decade that I wasn’t too thrilled about. It was necessary. Here are some strategies for making the less-than-enjoyable things a little more enjoyable:

1. Remind yourself that you get to do this, not that you have to.

(Yes, it’s sometimes hard to do. But seeing things as a privilege or a gift helps us put things in better perspective. When we get to do something, we’re lucky!)

2. Make it fun with rewards or celebrations.

(Everybody loves a celebration. And sometimes we can trick our brains into loving something if we tie it to a reward.)

3. Put on some music.

(When my family and I don’t feel like cleaning—because cleaning is the worst—we put on music. We may not exactly love it, but music at least makes it more enjoyable. Music makes most things better.)

I tend to agree with Katharine Graham, a newspaper publisher: “To love what you do and feel that it matters—how could anything be more fun?”

Have a beautiful month of loving what you do, knowing that it—and you—matters, and having fun every step of the way.

Moving through the world with curiosity

Moving through the world with curiosity

Here are 6 things worth sharing this month:

1. Reading (YA): I just finished Joy McCullough’s latest YA book, Enter the Bodywhich was a retelling-ish story that featured the females of Shakespeare’s most iconic tragedies. Written in verse and also at points scripted like a play, this book was not only a fast read but a fascinating one. Who doesn’t want to hear from the females who were abused, mistreated, and always seemed to die one way or another in Shakespeare’s tragedies? (Full disclaimer: I studied Shakespeare in college and have enough credits to be a Shakespeare professor and, for about a year, entertained the idea of becoming one. So she had me at Shakespeare.) McCullough is also the author of We Are the Ashes, We Are the Fire (not in verse), and Blood Water Paint (another verse novel) as well as books for middle graders. 

2. Reading (Adult NF): “It’s about moving through the world with curiosity about what will happen next, instead of a demand that it turn out according to your plans.” Oooh, this was a hard read for me. Four Thousand Weeks: Time Management for Mortals, by Oliver Burkeman, is a book about using what time we have on this earth realistically, rather than more efficiently. It’s a philosophical book about time, with some great pointers for how to come to terms with the limited time we have. I loved it and hated it and loved it. I ended on loving it. But will probably have to read it again the next time I think, “No, I think I can get all of this done.” Very highly recommended. Burkeman is also the author of The Antidote: Happiness for People Who Can’t Stand Positive Thinking, which I haven’t read, but because I loved Burkeman’s style, I’ve now added it to my TBR.

3. Reading (Adult NF): An important, fascinating, completely engrossing read: that’s how I’d describe The Six: The Untold Story of America’s First Women Astronauts, by Loren Grush. This book tells the story of the six elite women who were chosen in 1978 to become NASA’s first female astronauts: Sally Ride, Judy Resnik, Anna Fisher, Kathy Sullivan, Shannon Lucid, and Rhea Seddon. I thoroughly enjoyed reading about their lives, how they came into science, and the advances in space travel during those important decades. (A personal tidbit: when I was a senior in high school, eight students from my school were chosen to go through an abbreviated astronaut training at NASA Space Center Houston. I got to fly on the vomit comet (a training jet) and fly the rover my team built in zero G simulation. I’m currently trying to write a graphic memoir about this experience. This book was like nerding out on all things space.)

4. Watching: Something you may not know about me is that I am a sucker for anything that is based on a true story. So when I saw The New Look, an Apple TV series based on how French fashion icons Christian Dior, Coco Chanel, Pierre Balmain, and Cristóbal Balenciaga survived World War II and navigated the aftermath by launching what’s considered to be modern fashion, I had to watch it. And it is FANTASTIC. So beautifully filmed with stellar acting. And have I mentioned Apple TV’s intros for their shows? They’re so creative! You’ll want to check this one out if you love true stories, too.

5. Reading (YA): I’ve been all about the young adult reads this month, and another fantastic one to add to your list is Forget Me Not, by Alyson Derrick. Oh my goodness. So many tears in this one. I was reading it in the car on the way to a family fun day at a museum here in San Antonio and my kids noticed my tears and said, “Why are you crying?” And I said, “Because it’s just so beautiful.” Don’t you just love books that make you feel that way? Well, this one will. Forget Me Not, was longlisted for the 2023 National Book Award. Derrick is also the co-author of the book, She Gets the Girl, which I have not read. 

6. Reading (Adult F): I loved A Grandmother Begins the Story, by Michelle Porter. It’s about four generations of Native (Métis) women, as well as other characters (including a buffalo…you’ll have to read it to understand) , and how they navigate their lives outside of each other. It had all kinds of lore and the feel of old storytelling, which is what I enjoyed so much about it. The book has gotten mixed reviews, but for what it’s worth, I really enjoyed it. And the cover! So lovely!

Fight for what matters

Fight for what matters

Battles are not my favorite.

My first teenager fought his father and me about every little tiny thing; he had an endless energy to fight, it seemed, and it wore my husband and me down.

Fortunately, the next teenager who came along was a laid-back, delightful kid. We regrouped.

I have another new teenager in my house (yes, if you’re keeping track, that’s three teenagers in my house). He is quiet, respectful, content to fade into the background, so long as he has his friends, a soccer ball, and Pokémon Go.

And then there are two preteens who are as challenging as the first child was. They LOVE to fight. It is so much fun to argue about everything! Can you go a day without fighting? I say to them regularly. No, they answer at the exact same time. (They’re identical twins. They have twin powers.)

Every day, it seems, there’s some kind of battle. I’m tired. We’re all tired. No one wins when they come out swinging all the time.

In the larger sense, life, too, can feel like a series of battles. Conflict layers upon conflict, which layers upon conflict, which layers upon…on and on it goes. From the time we’re young life lays out a series of gauntlets. Challenges for us to overcome. Difficult people love. An identity to try to hold onto when things get dicey. 

There are so many places where fighting exists, people and the world throwing out challenges like they’re nothing. What do you think about this—and this—and this this this this this?

If all we ever do is fight, what kind of a life is that? An exhausting one.

I’ve been kickboxing for several years. Kickboxing teaches you how to fight. You use strategic kicks and punches. But you also learn how to duck and block—which is just as important in the art of fighting. Sometimes a fight is about outlasting your opponent, sometimes it’s about the element of surprise, sometimes it’s simply about dodging and blocking and being patient. Waiting for the right time to come out swinging. It’s important to learn how to fight smarter.

What does it mean to fight smarter, though?

Well, for one, we have to choose our battles. We can’t fight every one. We have to trust that other people are fighting, too. 

I have a few more suggestions for fighting smarter below.

I suppose what I really want to say in this somewhat meandering examination is that our lives are a grand story. The conflict, the fighting for what we want and need, is what makes for a good life story.

It’s not easy to remember in the midst of conflict or challenge, those places where we have to fight hard to get through, that these are the defining moments of our lives, or that our overcoming will make a good life story. It’s not much of a comfort when we’re going through it (though sometimes it can be).

But it’s a way of turning our attitudes and beliefs around, which we talked about in the last newsletter.

What if we saw the conflicts in our lives as opportunities to grow? Just like a character in a story, we don’t become who we truly are and were made to be until we fight for something. Until we learn what we’re willing to fight for.

And becoming is circular, isn’t it? So we also learn more about what we want and need to fight for the more we become who we are. We peel off all the layers covering our true selves and unfold more into who we are as we fight for what matters. 

(A note here: Of course we don’t pick fights about things that don’t matter. That’s not what I’m saying at all. How exhausting that is! We fight for what does matter. And each of us has to decide what that is for us. Love. Worth. Dignity. Equality. Belief in myself. A place at the table. A place for everyone at the table. Those are some of the things that matter to me.)

I want to fight fierce for the things that matter. But what does fierce mean? Sometimes it means speaking up, sometimes it means staying silent. Sometimes it means speaking our minds to a whole big wide world, and sometimes it means gathering the right people around us—or joining the right people—so they can speak to the big whole wide world. My fierce may look different than your fierce.

When I was at the Texas Library Association, a group of authors, librarians and attorneys met to discuss what was happening with book bans in Texas. There are some amazing people in this group doing amazing things to fight against book bans. They are becoming more of who they are. They are becoming alive.

That’s what happens when we fight for the things that matter.

Here are some things I like to remember when I’m fighting:

1. We can’t fight for everything.

We have to find our corner. There’s so much in the world we want to change—that needs to change—but we can’t do it all. We have to choose our battles and trust that other people are fighting for what matters, too.

And just because we’re fighting for one thing doesn’t mean we don’t care about the other things. We’re just picking our corner—because when we fight for too many things we’re stretched too thin and can’t be effective at any of them.

2. We have to take care of ourselves.

Fighting is hard work and takes a lot of energy. Just like I can’t train in kickboxing every day without injuring myself—I need at least one recovery day on the calendar—we can’t fight every day of our lives without recovery days. So take time away and make sure you’re caring for yourself.

3. Sometimes fighting is quiet.

We’re not all cut out to be loud. We fight in our own ways. We can fight with our pen, in the privacy of our room, as much as we can fight out in the world. Anonymous still has a powerful voice.

Want to know the truth? Writers rarely know what they’re doing

Want to know the truth? Writers rarely know what they’re doing

The first book I wrote I didn’t brainstorm. I flew by the seat of my pants. The second book was the same. Both took months of revision to get them in submission shape.

After those first two books I created a brainstorm document for myself. I thought I could use it for every book thereafter. My secret formula for writing a book. 

I tried using the brainstorm document on the next book. Nothing worked. I felt completely helpless. I thought, How do you write a book?

That question creeps in every book I begin, no matter how many books I’ve written.

Maybe that’s discouraging to hear from someone who’s written more than 40 books. I don’t mean it to be. I think it’s actually kind of exciting. There’s this interesting thing called the knowledge gap that says the more we know and learn, the more we realize we need to know and learn. This keeps our minds open to new possibilities.

So when we’re faced with the question, Uhhh….how do you write a book again? our minds are primed to focus on developing our craft and making it easier for us. Making storytelling something intuitive instead of something we have to consciously think about endlessly.

Continuous learning is what brings us into expert territory. When we realize we don’t know what we’re doing, we approach each book as though it’s all brand new. Our books don’t become formulaic because most of the time we can’t use the exact same method of brainstorming and writing and revising for every single book.

I take some of the pieces from that brainstorm document I created and use them here and there, but every book is different. That’s what makes writing exciting. It’s also what keeps us pushing to learn more about our craft. 

None of us really knows what we’re doing—and that can be liberating. Because we all have room for improvement. And that means we can really engage with our stories, instead of going through the motions and becoming, for lack of a better word, robotic at it. 

When we’re learning something new, or learning more about it, we play closer attention to it. When we think we already know everything we need to know, our minds close up tight against new ideas that challenge what we think we know. 

Creativity is best expressed through an open mind.

So when we face that blank page and we have no idea where to begin, we don’t have to feel stuck or get down on ourselves for not knowing exactly what to do next. It’s all a part of the grand process. Author Sue Grafton keeps journals for books she’s written. And whenever she starts a new book, she says she can always peek back at those journals and “discover I was just as confused and befuddled back then as I am today. Prior journals are reminders that regardless of past struggles, I did somehow manage to prevail.”

Here’s how to embrace the reality that every book is different:

1. Let the story lead.

Even when writing a series I have a slightly different method for each book (it’s worth noting that the differences aren’t always drastic). I thought I’d start my recent middle grade horror story (book 4 of the series) with the ghosts and flesh out their backstory before beginning on the plot. That wasn’t what the story wanted. So I jotted down some plot points, then dove deeper into the characters and ghosts. 

I like to know the tone of a story and the voice of a character before I start writing. But in a recent story draft (another middle grade), I’ve just been clearing my throat. I know I’ll need to go back and probably cut several chapters from the beginning, but it’s what the story needed at the time. I followed its lead. 

And that’s what a first draft is for: discovering the story. Sometimes it takes a while to find our way.

Some stories want extensive brainstorms. Some want to be told in a linear way. Some want us to focus all our energies on a particular cast of characters before we do anything else. Some don’t ask for any of that. 

Don’t miss out on what the story has to tell you, however confounding and out of your comfort zone it may be.

2. Embrace the not-knowing.

I’m one of those people who hates not knowing anything—so this point is especially hard for me. 

The truth is, most of us intuitively know how to tell a good story. We’ve been doing it since we were young. We might not get it right on the first try—but no one really does.

Not knowing how to do something makes us uncomfortable. It also makes us more willing to consider new ways to write and encourages us to learn more about storytelling and craft. If we embrace the unknown, we leave our minds open instead of closed. Creativity can have a field day with an open mind.

3. Remember that when we’re challenged we grow.

If writing were easy all the time, if we constantly knew what we were doing, it would not only get pretty boring but we would also cease to grow. We might stagnate. Our creativity and stories might stagnate.

No one wants to tell or read the same story over and over and over again. Formulas get boring for writers and readers.

Challenges can be frustrating and hard—but we become better writers—and people—by working our way through them.

Never stop growing. Keep embracing the mystery. Know what you don’t know and use it to your advantage.

I hope you have a stupendous month of creativity and joy.

‘I will not be a caged bird’

‘I will not be a caged bird’

Here are five things worth sharing this month:

1. Reading (MG): I’ve been a fan of Sally J. Pla’s for a while, so when I saw she had a new book, I couldn’t wait to pick it up. The Fire, the Water, and Maudie McGinn is a sweet story about a girl on the autism spectrum who’s been displaced because of a California fire. It’s a difficult story, but it’ll leave you feeling a lot of hope—one of the things I love most about middle grade literature. Pla is also the author of one of my favorite books, The Someday Birds, which I also highly recommend.

2. Reading (Adult NF): “If people had more understanding of geologic time, we’d be less selfish and greedy, and think about the future.” I love Sy Montgomery. Her newest book, Of Time and Turtles: Mending the World, Shell by Shattered Shell, is as brilliant as the first book of hers I read (The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness, which was a National Book Award finalist). This one’s about turtles and time and the environment and shrinking habitats and COVID and what we can do about it all. It was brilliant.

3. Watching: You’re gonna have to excuse me for a second, but I have to gush about a new Apple TV series, The Buccaneers. Have you seen this show?! It’s SO GOOD! They’ve only released the first season (and watch out—it ends on some cliffhangers), but I’ve found myself thinking about the characters frequently, after having finished all the episodes. That’s how I know it’s a good show—I’m invested in the characters, I care about their lives, and I want to know more. It’s a historical show that follows a cast of young women as they try to find their place in the world—or make it. I’ve written down so many quotes from the young women; here’s one of my favorites, from Nan St. George: “I will not be a caged bird. I will fly free.” 

4. Reading (YA): I recently finished the young adult book, An Appetite for Miracles, by Laekan Zea Kemp, a novel in verse about family and dementia and memory and first love and hope. Kemp wrote not only a beautiful story but beautiful poetry. This is the first of Kemp’s books I’ve read—but it will not be the last!

5. Reading (MG): I am beginning to fall in love with Gary D. Schmidt’s stories. I just finished Okay for Now, which was a National Book Award finalist back in 2011, and I loved it as much as I’ve loved his other books. He has a knack for writing complex characters who don’t always make good choices—but you love them all the more for it. Other favorites of Schmidt’s include The Labors of Hercules BealThe Wednesday Wars, and Just Like That.