How Do You Teach an 8-year-old to Keep His Room Clean?

“I can’t find any socks that match,” he said. “I also can’t find my agenda or my folder.”

Well, is it any wonder?

Just look at his room. What in the world happened here? you may ask. It’s what we asked, too.

There is no simple explanation. There is just “an 8-year-old happened here.”

Here’s the thing. We don’t keep toys in our boys’ rooms (it’s just easier that way–they don’t play with them when they’re supposed to be sleeping). But we do keep books. And the 8-year-0ld recently got to move his art supplies into his room, because he wants to be a cinematographer who makes cartoons, and, well, we wanted to encourage that.

Until.this.room.

His daddy went upstairs to look for a pair of socks before school this morning and found 16 singles. I think all the socks lost in the dryer’s black hole have found a portal to this room. Other things using the portal: all the old balloons from St. Patrick’s Day that should be completely deflated by now, every single colored pencil in the neighborhood and 10 billion pieces of paper.

This weekend his daddy and I will be helping him clean his room, and he’ll be paying us for our time.

Money is the way you teach an 8-year-old to keep his room clean.

What success really looks like in life

success

We’re sitting around the table, talking about our days like we always do, when my husband says, “We got a negative podcast feedback today.”

“Oh, yeah?” I say.

He tells me about this product manager with Facebook, who wrote in to say that as much as he wants to recommend the show to his friends, he just can’t do it because of my husband’s involvement, because my husband, according to this man, hasn’t had the kind of success people would expect from a business owner giving business advice.

This exchange comes at the beginning of our meal, just before we get to our thankfuls, and, God, it just thoroughly and completely derails me.

So it gets to my turn, and I can barely think of anything that deserves my thanks, my whole mood shot through with rips and holes and great big tears. I think about my lost job and our money worries and what might or might not come next in the lineup of success, and my stomach twists, way deep down.

My husband knows, of course, because he’s that kind of man. He smiles and says, “It doesn’t really matter. I know I’m successful.”

And I know he’s right and I know he knows, but something about it just won’t let me go.

That word, success, is a dirty one, snaking all through my past.

A man’s hasty criticism sends it striking again.

///

I spent my four years of high school constantly stressed about grades.

Because, you see, I wanted to go to college, and I knew my mother, single and alone in her provision for us, could not afford it.

I needed valedictorian, because it was the only way I would make it to college, since valedictorians in Texas gain free tuition at their college of choice.

So I watched those class rankings, every six weeks, like they were life and death.

And then I came out on top, and my classmates held an election just before graduation for all those yearbook awards, Most Beautiful, Most Talented, Most Athletic, Most Popular.

They voted me Most Likely to Succeed.

“Because you’re smart,” they said. “Because you know so much. Because you always find a way.”

They could never have known the pressure that award carried in its flimsy paper particles and its forever photo buried in a maroon yearbook.

I went off to college, 126 miles from home, and I had never been away from home longer than three weeks at a time, and by month two, I wanted so very badly to go home I cried myself to sleep every night.

I missed my mom. I missed my whole family. I missed all the familiar.

But I could not go back, because that is not something a person who was Most Likely to Succeed would do.

So, on the worst nights, I pulled out that coloring page my 15-year-old sister had sent me, the one with Garfield and Odie colored in muted oranges and yellows, the one that said, “Wish you were here,” in a little cloud bubble beside Garfield’s scowling face.

And I whispered what I could never, ever admit to anyone.

I do, too.

///

Success comes breathing down our necks, and its breath is foul and suffocating and inescapable.

Because it is everywhere in the world. In magazines profiling the “most successful” people in the world, according to how much they’re worth in a year’s salary. On billboards where famous personalities tell us to watch their shows. In books and on screens and next door to us, where the Joneses live.

Success looks like how big a business you build in the least amount of time or how much money you have in your bank account.

It looks like big houses and luxury cars and a name that means something when spoken.

Success, the way the world defines it, carries pressure in its scales, and it can hypnotize us into believing its shallow lies.

It will tell us what to do and how to live and who we should be.

I can see its venom weaving in and out of all my younger years. I took jobs and turned others away because of it. I bought a two-door silver five-speed car because of it (two doors looks more successful than four, silver is sleeker than blue, five-speed is faster than automatic). I wanted a bigger ring because of it (because the bigger the diamond, the greater the catch, right?).

I fell hard into its nest.

And then something happened.

///

As college graduation approached, I did not worry like all my friends.

I already had a job at the Houston Chronicle. I had a brand new car and thousands in the bank. I had an engagement ring on my finger.

I was going to be prolific.

For a time, that Most Likely to Succeed award felt just right. I was proving it true.

Money? Check.
Prestigious job? Check.
Husband? Check.

By the end of that year, I would add several writing awards to the list, and later we would start a band and play around town and then the state and then all the way up through the Midwest.

On the road home from a gig in New Mexico, my cell phone rang. It was my mother. My grandmother, she said, was dead.

My grandmother, the one I’d lived with for a year during my childhood, when my parents were divorcing. My grandmother, who had offered her house for six months during that Houston Chronicle job and cried the day I left for San Antonio’s paper. My grandmother, whom I was too busy to sit beside those nights she watched the news and I holed away in a room planning my elaborate Cinderella wedding.

It devastated me, her death. I counted back all those married months, 40 of them, and I had only seen her three times—once after we returned from our honeymoon and she picked us up from the airport and begged us to stay the night, because it was too late to drive from Houston back to San Antonio and she knew we were tired from the flight, and we said no, because we just wanted to get home and get on with our married lives; once for our year anniversary trip to Disney World, when we needed her to drop us by the airport; once when she came down for my firstborn’s baby dedication, when I watched her hold him from the stage while I cried through singing the lullaby I’d written for him.

How had this happened?

My grandmother was a school accountant for all her working life. She never made much money, never had any money in savings because she was too busy buying her grandkids gas so they’d drive to see her or treating her kids to dinner or writing a check for a granddaughter’s wedding dress. She stayed put in a no-chance-for-promotion job because she enjoyed the summers off and the way she could keep her grandkids for whole weeks at a time.

I learned something the day we all gathered to celebrate her life.

I learned, or maybe I always knew, that she was the very definition of success.

///

Success lives in who we are, not what we have.

Success is found in the way we look at our spouse in the middle of an argument. It’s found in the way we talk to our children when they’ve done something wrong. It’s found in the relationships we keep with family and friends and neighbors and strangers.

It’s found in the deepest spaces of a heart.

The world, the ignorant words of others, the critical eyes of people, can make us forget this.

Sometimes people will look at our choices—having and raising six children, turning down a promotion because it would take too much time away from those children, remaining a one-car family because we don’t want the debt—and stamp us unsuccessful because we don’t look like the ideal.

But success can never be measured on the outside. It is held within.

I wish I had realized that sooner in my life.

I will never get back the time I spent pursuing a twisted version of success.

But I can redeem it now.

So tonight, in front of my boys who will one day be men with a whole world and its people trying to tell them what success means, I look my husband in the eye and say, “You are successful in all the ways that matter.”

And then I tick them off, all those successful attributes so much a part of who he is.

We may not have a bank full of money we couldn’t spend in a lifetime or two luxury cars sitting out front or a vacation home in that place we always wanted to live. But what we do have, this life full of laughter and presence and joy, is so much better than all that.

The world can take its success definition and cash it in for an empty life.

I’ll take my full one any day.

On my shelf 3.29.15

OMS 3.29.15

On my shelf this week:

The Orphan Master’s Son, by Adam Johnson
Take This Bread: A Radical Conversion, by Sara Miles
The Mindful Child: How to Help Your Kid Manage Stress and Become Happier, Kinder, and More Compassionate, by Susan Kaiser Greenland

This week I’ve got a new book club read, a spiritual memoir and a parenting book about mindfulness.

Best quotes so far:

“By practicing mindfulness kids learn life skills that help them soothe and calm themselves, bring awareness to their inner and outer experience, and bring a reflective quality to their actions and relationships. Living in this way helps children connect to themselves (what do I feel? think? see?), to others (what do they feel? think? see?), and maybe to something greater than themselves.”
Susan Kaiser Greenland

“By giving themselves enough breathign room to take in what’s happening in their inner and outer worlds, children can identify both their talents and their challenges by using mindfulness techniques. The outcome is dependent on developmental capabilities (young kids are limited in what they can do by their stage of physical and emotional maturation), but those who practice mindfulness can develop a sense of balance and a calm, concentrated mind that is capable of creativity, happiness, tolerance and compassion. With such minds children are better able to define what they want to do and achieve the goals they set for themselves. With such minds children will be ready to change the world for the better.”
Susan Kaiser Greenland

“The key to managing stress and other difficult situations does not always lie in the situation itself but rather in how kids and their parents respond to it.”
Susan Kaiser Greenland

Read any of these? Tell us what you thought.

“Only Boys are Bosses” and Other Incorrect Musings of Children

Field Trip Blues

Jadon (8): “My field trip is this week.”
Mama: “I know. I signed up to be a volunteer.”
Jadon: “Aw, darn it. I wanted to do inappropriate stuff.”

Superheroes Have to Eat, Too

I’m trying to take a picture of them all around the table for my ‘Eating Personalities of Children” article.
Asa (5): “Spider-Man, shooting.”
Hosea (4): “Batman, flying.”
Zadok (2): Captain America, eating.”

Driving in the car

Boaz (2): “Daddy, you going wrong way.”
Daddy: “No, actually, I know where I’m going.”
Boaz: “No! Turn around. Daddy, turn around. You going wrong way.”
Daddy: “…”
It’s impossible to win an argument with a 2-year-old. We know. We’ve tried.

What’s My Age Again?

Zadok: “I five years old.”
Hosea: “No! You’re 2.”
Zadok: “I talking to Mama! Mama, I five.”
Mama: “No, actually Hosea’s right. You’re only 2.”
Zadok: “No! I five!”
Hosea and Zadok argued about this for no less than fifteen minutes. I wish I were kidding. I’ll never, ever get that time back.

Say What?

Mama: “No, Zadok, you may not go outside. I’m sorry. We need to do our chores.”
Zadok: “You not the boss, Mama.”
Mama: “Um…yes I am, actually.”
Zadok: “Daddy the boss. Daddy, I want go outside.”
Daddy: “Mama said no.”
Zadok: “Mama not the boss.”
Daddy: “Yes she is.”
Zadok: “No! Mama doesn’t have a penis.”
I need help with this one. Our boys don’t watch television. My husband doesn’t tell them that only boys are bosses. We don’t read books that indicate that males are the only authorities…where does this male supremacy come from?

Deep.

waves
The way the sun came up that day was perfect. Lovely. Hopeful. But the water held something in its deep, something dark, unknown, stirred still by white-capped waves. If we could have known. If we could have seen.

What then?

Ongoing challenge: Find (or take) a picture. Write exactly 40 words about it. Post.
(Great practice for brevity.)

The Different Eating Personalities of Children

My husband and I used to sit down to a quiet dinner, just the two of us. We used to be able to eat the same thing every week. We used to be able to hold hands when we wanted and pack up leftovers for the next day’s lunch.

Kids changed all that.

Now we sit down to a dinner with more words than you’ll read in a George R.R. Martin novel. We have to have something different every night of the month. We use our hands to dish out food, and there are never any leftovers.

Over the years of eating dinners together, which, in spite of the mayhem six boys can rouse, we still find important, my boys have emerged with very different eating personalities.

There is The Picky Eater.

This is the kid who asks what’s for dinner, and, before you even get “chicken noodle soup out,” he’s already looking in the pot and saying, “I want something else.”

“If you can cook it,” I say. (He can’t. He’s 4.)

“But I HATE that.”

“Do you even know what it is?” I say, because I’m a cook, not a chef, kid.

“No.”

I have to give him credit. He gives it a chance. In fact, he gives it three chances, in three separate helpings, all the while saying how much he wishes he could have something else for dinner.

We also have The Player.

This is the kid who will take a string of spaghetti and swing it around like a rope. He’ll set up a forest with his broccoli. He will wear his pizza like a triangle hat.

“Stop playing with your food,” I’ll say.

“I not playing,” he’ll say. “I eating. See?” He puts the broccoli in his mouth, shouting, “I eat tree! Oh no!”

Well, at least he’s eating broccoli.

And we have his twin brother, The Wanderer.

This is the kid who cannot put one bite in his mouth without moving from the table to pick up the book he wanted to show his brothers. He’ll take another bite and remember he forgot to show Mama the toy he found under the couch today. It was gone for so long. Another bite, and he’s up again, using the bathroom or putting his shoes where they go or remembering he left his Thermos in the refrigerator.

“The rule is you stay at the table and ask to be excused,” I say.

“I am staying at the table,” he’ll say.

“You’re not.”

“I AM!”

“No. That’s not staying. See? You just got up from the table.”

“No! I staying.”

Ever argue with a 2-year-old? Not only does it not make sense, YOU WILL NOT WIN.

So we strapped him into a booster seat. The Wanderer wanders no more.

One of our boys is The Talker.

This is the kid who will take so excruciatingly long to eat his dinner he’s the last one at the table and we’ve all fallen asleep.

It’s not that he isn’t hungry, because he’ll always ask for more, even if dinner has already been cleaned up.

It’s just that he has to tell us every single second of his day, and he forgets that there is food to eat. The loud rumbling in his belly will not make him shovel that food any faster.

“You should eat,” I’ll say, after he’s told me in finite detail what went on today in his Sage class.

“But I want to tell you about my day.”

Twenty-five minutes of every person he came across at school today and what he did in math class and who he played with at recess and I’m getting a nervous tick in my leg, because dinner is almost over and he’s only taken two bites.

Don’t get me wrong. I’m glad he talks. It’s just…Eat.

Then there is The Inhaler.

This kid is the opposite of The Talker. He will start eating at the exact same time as everyone else but will finish when everyone else is on their second bite.

“May I have some more please?” he’ll say.

“You’re already done?” I’ll say.

“I’m really hungry,” he’ll say.

Obviously.

These are the only words The Inhaler will say during dinner, except for a quick one-word answer when asked what his thankful is for the day. He’s too busy shoveling to talk.

“Chew your food,” I’ll say. “Take your time.”

He’ll shoot me that you-don’t-know-what-you’re-talking-about look.

“My stomach hurts,” he’ll say after dinner.

“Do you think it’s because you ate too much?” I’ll say. “Too fast?”

“No. I think it’s just gas.”

I’ll wait a while before I tell him that eating too fast causes gas.

All I know is mealtime sure has gotten interesting.

And, if I’m being honest, a whole lot better.

On plagiarizing in the world of art

Ink Well plagiarism

Recently I followed a poet whose work I really, really liked until I read something about her accusing another poet of plagiarism just because the other poet wrote in short sentence fragments, like she did.

The poet admitted that, while the other poet did not plagiarize her words, she plagiarized her style.

Can we plagiarize style?

This question has followed me around the last two weeks. And, at the end of them, here is where I land:

Words are one thing. Style is another.

I don’t even know how many writers and artists have informed my style of writing. Cormac McCarthy, Maria Rilke, William Faulkner, Erma Bombeck, Julia Cameron, Maya Angelou. Toni Morrison. I’ve always loved her. I want to be her when I grow up.

There are many, many more.

They all live in my work—in my sentence fragments and the intentional run-ons and the lyrical bend. But that doesn’t mean I plagiarize, because they did not invent sentence fragments or intentional run-ons or lyrical bends. They just used them.

I knew early on in my writing life that there was nothing new under the sun, that I could not invent anything that hadn’t already been done, somewhere, at some point in time. I knew that my voice might be unique, because it is mine and it is an intricate hybrid of all the writers I’ve read and studied over the years, but my words and my topics and my style have all been done before.

As artists, we are a sum total of the artists we have known and loved and studied. We read books, and we cannot help but become better for that writer’s style (if it’s a good book). We study paintings, and we cannot help but absorb some of that painter’s technique. We listen to music or watch dances or sit in a comedian’s audience, and we cannot help but be informed and changed by that art.

Plagiarism is a serious charge in the world of art. It cannot be claimed lightly.

We have to take care not to attach too much of our ego to our work. When we start thinking that what we’ve done is great and that we’ve invented something really unique and beautiful, we begin to think that it belongs to us and we forget all the people, all the influences who have come before, who live in us still.

My words belong to me. My art belongs to the world.

Just the other day my husband told me that Marvin Gaye’s children won $7.3 million in a court case against Pharrell Williams and Robin Thicke because their song, “Blurred Lines,” sounded too much like Gaye’s 1977 hit “Got to Give It Up.”

We are musicians, so we sat down and listened to both songs. Neither of us thought the songs sounded similar enough, with the exception of a similar drum beat, for a price tag like that one.

Can you plagiarize a drum beat?

We didn’t think so, but a court did.

Ego can make us quick to think we are the first ones to have ever written in that poetic style, with the all lowercase words and the short sentence fragments, or the only ones who have ever played that beat, or the only ones who ever thought to draw a stick person inside a comic book and call it art.

When we start seeing art as mine and not as a humble gift to the world, we start losing our feet as artists.

We cannot own a style or a beat or the way a paintbrush swishes across a canvas any more than we can list our influences and say that pieces of them don’t live in our art.

Art is mine to give. And, sure, I need to make a living at it, but never at the expense of another artist. Never, ever that.

Because we are a community. We belong to each other. This isn’t a war about who invented it first, because it’s all been done before.

Someone has walked here before.

We weren’t the first, and, if it’s good art, we won’t be even close to the last.

What do you think? Can an artist plagiarize style? What is your definition of plagiarism?

Welcome to The Ink Well Creative Community.

The Ink Well Community is evolving. While this used to be a place where I posted a prompt for writers to share their creative works, I have been receiving several inquiries about my process, how I create and read and manage a household with half a dozen little ones. So I thought we could turn this into a community of people who share about the creative process in all its many facets, from where we find our inspiration to when we find time to create (especially if we work other jobs). I’ll be sharing struggles about my creative life and logistical information about my particular creative process and what I’m learning about creativity, among many other things. I hope you’ll weigh in with your own struggles and observations and lessons. Let’s start a conversation. Let’s encourage one another. Let’s live the creative life together.

And if you have your own questions about creativity or process or inspiration, feel free to visit my contact page and send me a note.

Spring Break Happened to My House

Spring Break happened to my house.

Here’s where our house stands after four hours of cleaning. So if you’re looking at the picture, thinking, “That’s really not that bad,” trust me. It was WAY worse.

Also, since we’re on the subject of messy, here’s something I posted during Day 2 of Spring Break:

MMon wine

“I’m about to start drinking from the wine bottle. Because kids.”

Because kids.

I just want to say, thank God for teachers.

This is what beautiful feels like

This is what beautiful feels like

Some days I know the truth, and some days it gets buried so far beneath those old lies I can hardly remember its echo.

This morning I woke up feeling out of sorts. Not unexpected, since there is a baby who had trouble sleeping. Since there was a brain that just wouldn’t turn off. Since there is work and anxiety and worry that has, lately, followed me right into sleep.

But this was something different. Something deeper.

This was me. This was my body. This was lie, a pair of them, rising up from the graveyard, where I thought I’d buried them long, long ago.

You see, I wrote an article that got a whole lot of publicity, and here came all those haters, and their voices stirred those ghosts from their graves.

While I was sleeping, the corpses came walking, and when I looked in the mirror this morning, they opened their mouths to speak.

Six weeks you’ve had, they said. Six weeks you’ve had to lose that belly. AND IT IS STILL HERE.

And then they smiled with their rotten teeth and told me the worst part of it all.

Unbeautiful, they said. This is unbeautiful. You are unbeautiful.

I could not argue. Not right now. Not today.

Because today, this moment, their words feel true.

///

The first time I heard their voices, I was too young to know them for what they were.

But I listened to commercials and all those teen magazines and the Hollywood ideal of thin and pretty, and I stopped eating lunch when I was 12. I stopped eating breakfast when I was a freshman in high school. I stopped eating the last meal of the day my first day of college, because, for the first time in my life, there was no one to monitor what I ate or didn’t eat.

I thought I could get away with it and that I would finally reach my target weight, which was bony and completely fatless, but I had a roommate who cared. She noticed my rapidly dropping weight and dragged me to dinner at a dining hall every chance she got.

So it wasn’t long before I started purging those suppers.

I would walk with her to the dining hall and eat whatever I wanted, and then, when she was preoccupied with our friends across the hall, I would slip off to the bathroom and do what needed to be done.

When she noticed, I made my excuses. Something I ate made me sick. Stress. A virus, maybe.

She didn’t buy it, so the next stop was laxatives, because that was easier to hide. It was my course load, the pressure to make good grades, the stressful news job that kept me in the bathroom all the time. Laxatives got me through the rest of that semester.

Anorexia got easier when I moved off campus. I kept cans of green beans in the pantry, and the days I felt especially hungry, I’d allow myself one can a day. My roommates were too busy to notice.

Then I met my husband, and there came a night when he left a note on my computer at the newspaper office.

Skinny does not equal beautiful, it said.

And for some reason, I believed him.

I looked at that note every time I sat down in my office chair and every time I got up to leave. It rescued me before my heart could stop from the sickness, but there are other ways to die than the physical ones, and I was already well on my way, gripped by the claws of anorexia and bulimia.

///

Today is a reckoning day, six weeks postpartum, a day when I will visit my doctor again and stand on that scale. A scale that will tell me how much I have left to lose. A scale that will tell me, just a little bit, who I am now.

I hate that this is so.

All this time I’ve stayed away from the scale, because I said it didn’t matter, and I meant it this time. I really did. Because he’s my last baby, and I just wanted to enjoy him without worrying about what I look like.

And that’s exactly what I did.

Until now.

I dressed for the morning. Those after-pregnancy transition jeans fit. A transition shirt hid the pooch.

I got my hopes up, I guess.

And then I walk in the doctor’s office and I step on the scale and I see how much weight is left, and I thought it would be different, not as much, and those voices start their howling.

Guess you should have tried harder, they say.
Guess you should have exercised more, they say.
Guess you should have worried about it a little more often, instead of indulging in your son, they say.

I try to swallow the disappointment, and then the nurse takes me to a room with a mirror, and I have to look at my body before I wrap a flimsy sheet of paper around it, and I can’t help it. I turn away, because I don’t want to look.

I know what’s there.

Sagging skin that may or may not shrink back this time, because this is the sixth time. Lines that mark my midsection and a belly button that’s hardly even a belly button anymore it’s been stretched and pulled and rearranged so often.

Those voices grab all of it and fling it right back in my face. Right back in my heart.

This is what unbeautiful feels like.

///

Just after the first was born, I did not know how a woman’s body worked. So when he slid out and that belly turned to mush, I cried.

It wasn’t supposed to be like this. I wasn’t supposed to look like this.

Our first day home from the hospital, when my body had only spent thirty-six hours recovering from a thirteen-hour labor, I went for a walk, because exercise has always been my crutch.

Three weeks after he was born, I was out running, with a uterus that hadn’t even fully shrunk and hips that were only just sliding back into place and joints that could not really take the jarring pressure of a five-mile run.

So when I injured myself, because my body wasn’t ready for what I was demanding of it, I quit eating. I pretended I wasn’t hungry. I let my husband eat those meals people so kindly dropped by.

And then one day he shook me by the shoulders. You have to eat, he said. This isn’t the way to do it.

And I knew he was right. But it was so hard. So hard. Because every time I looked in the mirror, what I saw was unbeautiful.

Anorexia and bulimia make it hard to see anything else.

///

So this is what unbeautiful feels like.

It feels sad and sharp and hard and achy and impossible and shocking.

Most of all it is shocking.

We can go whole years knowing and believing and living the truth, and then one thing, one tiny little thing, can raise the dead and make them walk again.

It happens for many reasons, this feeling unbeautiful. It happens because someone says an insensitive comment about our bodies that hits us right where it hurts. It happens because we live in a society that tells us skinny equals beautiful and don’t you dare argue. It happens because we look in the mirror and the body looking back is not the one we think we need or want.

Unbeautiful, the kind that makes us starve or cut and bleed or stick a finger down our throat, it is a sickness. An addiction. There is no cure.

There is only one day at a time.

Every day we are offered the choice to look in that mirror and shake our fists at those living-again lies and say, No. I don’t believe you. This body is not unbeautiful. It is strong. It is amazing. It is the loveliest beautiful there ever, ever was.

Because this is the truth.

So after my doctor finishes her examination and releases me and walks from the room, I return to the mirror, and I dress again and then snap a picture, because I want to remember.

I want to remember the day I looked at my body and finally, finally, finally said out loud, if only to myself, what was true.

This body, I say. I am so very proud of what it has done. It has housed and carried and nourished six boys and a girl we will meet in glory. So what if there is still an after-belly six weeks later? THIS BODY HAS DONE SOMETHING AMAZING AND BEAUTIFUL. It needs to revel in that. So I will let it take its time.

And I mean it.

Those corpses, the anorexia and bulimia that have breathed down my neck all morning, start crawling back to their graves, because you know what?

They know, too.

This is what beautiful feels like.

On my shelf 3.22.15

OMS 3.22.15

On my shelf this week:

The Right to Write, by Julia Cameron
Characters, Emotion & Viewpoint: Techniques and exercises for crafting dynamic characters and effective viewpoints, by Nancy Kress
Devil in the White City, by Erik Larson

This week I’m reading two writing books, including one of the best ones I’ve ever read (Cameron’s) and a true story about murder and mayhem at the 1893 World’s Fair.

Best quotes so far:

“A page at a time, a day at a time, is the way we must live our writing lives. Credibility lies in the act of writing. That is where the dignity is. That is where the final ‘credit’ must come from.”
Julia Cameron

“Writing for the love of writing, the sheer act of writing, is the only antidote for the poison of a credibility attack—and the antidote is short-lived and must be readministered.”
Julia Cameron

“True art requires true honesty, which means that for our art’s sake, as much as for our own, we must learn the skill of vulnerability.”
Julia Cameron

“I think of my creativity as my most valuable asset. It is my wealth.”
Julia Cameron

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